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Lata and Mukesh sang almost 152 duets together in Hindi films. The bulk of Mukesh-Lata duets were composed by Shankar Jaikishan (34 duets), Laxmikant Pyarelal (29) and Kalyanji Anand Ji (20). Together these three music directors composed 54% of the total Lata/Mukesh duets.
Shankar Jaikishan gave Lata/Mukesh the maximum number of duets and most of these duets remain popular even today. Both Lata and Mukesh sang for Shankar Jaikishan’s debut film Barsaat (1949) which was a superhit. Also Lata, Mukesh, Shanker and Jaikishan were part of films made by Raj Kapoor Banner and that explains the strong collaboration between these legends.
Lata on Mukesh
We shared a lot of love and respect and looked out for one another especially if either of us made a mistake. Sometimes a singer can make a mistake or forget a song word. We reassured each other by saying: `Never mind, it will be all right.’
Mukesh Bhaiya had this habit of clearing his throat in the middle of singing. I used to pull his leg: ‘What, Mukesh Bhaiya? Why do you keep doing that?’ And the poor fellow hurriedly said: ‘Sorry, Didi. I won’t do it again.’ I smiled and told him I was only joking.
Sometimes when we were recording and a musician played a solo piece slightly off key, Mukesh Bhaiya would turn to me and say: `Who is copying me?’
There was a lot of affection between us. I would visit his house and spend time with his family and his three children, Nitin, Rita and Neelu. When Nitin was very young, he sometimes accompanied his father to the recordings.
It was Mukesh Bhaiya who introduced me to Naushad Ali. One day he came to Nanachowk and said: ‘Didi’, come with me. I want to take you to Naushad Sahib because he wants you to sing for him.’ I recorded some songs for composer Shyam Sundar’s film Lahoreand I believe Naushad Sahib had heard them.
I was singing for a number of film composers by the late ’40s. When I would meet a composer with whom I hadn’t previously worked, he would invariably ask me to sing. The one thing I disliked was auditioning. I had sung at so many classical music concerts with my father and somehow felt auditioning was humiliating. So, from the outset I told Mukesh Bhaiya: ‘I won’t audition for Naushad Sahib or any other composer. If they want me, then I will record the song.’ Mukesh Bhaiya replied: ‘All right. Let’s at least go and talk to him.’
We went to Kardar Studio and met Naushad Sahib. Ghulam Mohammed Sahib was working as his assistant then and he was there too. Perhaps Mukesh Bhaiya had already warned them I disliked auditioning. When I was introduced to Naushad Sahib, he cleverly said: `Latabai, I have heard you mentioned many times. I hear you sing very well. I’d like to hear you but don’t think you’re on trial. Nothing of the sort. But why not sing a ghazal?’ So I sang ‘Umeed ke rangeen jhoole mein ek aas bandhaaye jaati hai’ from Lahore. It didn’t take me long to figure out Naushad Sahib just wanted to hear my Urdu pronunciation because he was going to ask me to sing for Andaaz. He heard me sing the ghazal and was pleased.Song | Film | Year | Music Director |
AB YAAD NA KAR BHOOL JA AE DIL | ANOKHA PYAR | 1948 | Anil Biswas |
YAAD RAKHNA CHAND TARON IS SUHANI | ANOKHA PYAR | 1948 | Anil Biswas |
AB DARNE KI KOI BAAT NAHI | MAJBOOR | 1948 | Ghulam Haider |
CHHOD GAYE BALAM MUJHE HAAY AKELA | BARSAAT | 1949 | Shanker Jaikishan |
YE DUNIYA HAI,YANHA DIL KA | SHAIR | 1949 | Ghulam Mohd |
RAKHA HU NISHANE PE DIL BHI | HANSTE AANSU | 1950 | Ghulam Mohd |
JAMANE KA DASTUR HAI YE PURANA | LAJAWAB | 1950 | Anil Biswas |
JO DIL HI TODNA THA KYON DIYA | SARTAJ | 1950 | Husnlal Bhagatram |
ARMAN BHARA DIL TOOT GAYA | WAFA | 1950 | Vinod |
DUM BHAR JO UDHAR MUNH FERE | AAWARA | 1951 | Shanker Jaikishan |
KAHE NAINO MEIN KAJRA BHARO | BADI BAHU | 1951 | Anil Biswas |
PYAR KI RAH PAR KYA BHATKNE KA | BADI BAHU | 1951 | Anil Biswas |
EK BAAR AGAR TU KAH DE | MALHAR | 1951 | Roshan |
KAHAN HO TUM JARA AAVAZ DO | MALHAR | 1951 | Roshan |
BADE ARMANO SE RAKHA HAI BALAM | MALHAR | 1951 | Roshan |
SAPNO MEIN AANA CHHED CHHED JANA | SHISHAM | 1952 | Roshan |
AAJA RE, AB MERA DIL PUKARA | AAH | 1953 | Shanker Jaikishan |
JANE NA NAJAR PEHCHANE JIGAR | AAH | 1953 | Shanker Jaikishan |
DEKHO JI DEKHO EK BAR IS TARAF | AAS | 1953 | Shanker Jaikishan |
ICHAK DANA BICHAK DANA | SHRI 420 | 1955 | Shanker Jaikishan |
NIKAL PADEN HAIN KHULI SADAK PAR | SHRI 420 | 1955 | Shanker Jaikishan |
RAMAIYA VASTA VAIYA,RAMAIYA VASTA | SHRI 420 | 1955 | Shanker Jaikishan |
JIS DIN SE MELE TUM HUM | LALKAR | 1956 | Sanmukh Babu |
YE WADA KARO CHAND KE SAMNE | RAJ HATH | 1956 | Shanker Jaikishan |
BADALON KI…DIL HAIN BEQARAR | JALTI NISHANI | 1957 | Anil Biswas |
MEENI MEENI CHI CHI,DUNIYA MEN | KATHPUTLI | 1957 | Shanker Jaikishan |
KYA SAATH MERA DOGE TUM PYAR | SAMUNDAR | 1957 | Madan Mohan |
DIL TADAP TADAP KE KAH RAHA AA | MADHUMATI | 1958 | Salil Chaudary |
WOH CHAND CHAMKA VO NUR CHHALKA | SON OF SINDBAD | 1958 | Chitragupta |
DIL KI NAJAR SE NAJARO KI DIL SE | ANARI | 1959 | Shanker Jaikishan |
WOH CHAND KHILA VO TAARE HANSE | ANARI | 1959 | Shanker Jaikishan |
EK RAAT MEIN DO DO CHAND KHILE | BARKHA | 1959 | Chitragupta |
TUM CHAL RAHE HO HUM CHAL RAHE | DUNIYA NA MANE | 1959 | Madan Mohan |
YE SHAMA YE KHUSI KUCHH BOLO JI | GHAR GHAR KE BAAT | 1959 | Kalyanji Anandji |
TUM SE KUCHH KAHNA HAI | GUEST HOUSE | 1959 | Chitragupta |
NE BALEYE RUT HAI BAHAR KI | KANHAIYA | 1959 | Shanker Jaikishan |
DIL LUTNE WALE JADUGAR AB | MADARI | 1959 | Kalyanji Anandji |
ZAMI PE CHANDINI KA NOOR | MADARI | 1959 | Kalyanji Anandji |
NAZAR NAZAR SE HO RAHI HAI | MAIN NASHE MEIN HUN | 1959 | Shanker Jaikishan |
NAIN DWAAR SE MAN MEIN VO AAKE | SAWAN | 1959 | Hansraj Behl |
DUNIYA WALO SE DOOR JALNE WALO | UJALA | 1959 | Shanker Jaikishan |
CHANDA RE MORI PATIYA LEJA | BANJARIN | 1960 | Pardesi |
TERE MAN MERA MAN MELE PREET | CHANDRA MUKHI | 1960 | S.N. Tripathi |
MERE JAAN KUCHH BHI KIJIYE | CHHALIA | 1960 | Kalyanji Anandji |
YE VADA KARE HUM JAHAN BHI RAHEN | DIL BHI TERA HUM BHI TERE | 1960 | Kalyanji Anandji |
MILTE MILTE MIL HI GAYE | DO AADAMI | 1960 | S.N. Tripathi |
AANKHO MEIN RANG KYON AAYA | EK PHOOL CHAAR KANTE | 1960 | Shanker Jaikishan |
NAZRON SE AAJ DIL MEIN SAMANE | GAMBLER | 1960 | Chitragupta |
MERE KHWABON MEIN KHAYALO MEIN | HONEYMOON | 1960 | Salil Chaudary |
AA AB LAUT CHALE,NAIN BICHAYE | JIS DESH MEIN GANGA B.H. | 1960 | Shanker Jaikishan |
BEGANI SHADI MEIN ABDULLAH | JIS DESH MEIN GANGA B.H. | 1960 | Shanker Jaikishan |
HAI AAG HAMARE SEENE MEIN | JIS DESH MEIN GANGA B.H. | 1960 | Shanker Jaikishan |
CHALO CHALEN DIL LE CHALE JAHAN | MISS GOODNIGHT | 1960 | Hansraj Behl |
TERI SOKH NAZAR KA ISARA | PATANG | 1960 | Chitragupta |
DILLI HAI DIL HINDUSTAN KA | PATANG | 1960 | Chitragupta |
LAGI TUMSE LAGAN SATHI CHHUTE NA | SARANGA | 1960 | Sardar Malik |
O BEEN WALE,TEEN SUR TERE BEEN | SINHAL DWEEP KI SUNDARI | 1960 | S.N. Tripathi |
THANE KAJALIYA BANA LOON | VEER DURGA DAS | 1960 | S.N. Tripathi |
TUM RUTHI RAHO MAIN MANATA | AAS KA PANCHHI | 1961 | Shanker Jaikishan |
CHADE CHANDA TO TUM BHI CHALE | APLAM CHAPLAM | 1961 | Chitragupta |
DIL SE DIL KI DOOR BANDHE | CHHAYA | 1961 | Salil Chaudary |
JAWAN MOHABAT HASIN AANKHON | HAMARI YAAD AAYEGI | 1961 | Snehal Bhatkar |
SOCHATA HOON YE KYA KIYA MAINE | HAMARI YAAD AAYEGI | 1961 | Snehal Bhatkar |
SUN MORE RASIYA SUN MAN BASIYA | MADAN MANJARI | 1961 | Sardar Malik |
MAIN JAANTI HOON TUM JHUTH | MEM DIDI | 1961 | Salil Chaudary |
BIKHRA KE JULFE CHAMAN MEIN NA | NAZRANA | 1961 | Ravi Shanker |
DEKHO MAUSAM KYA BAHAR HAI | OPERA HOUSE | 1961 | Chitragupta |
NA MILTE HUM TO KAHO TUM | OPERA HOUSE | 1961 | Chitragupta |
TERI NIGAHON NE HAMEN MAAR DALA | PYASE PANCHHI | 1961 | Kalyanji Anandji |
EK MANJIL RAHI DO PHIR PYAR NA | SANJOG | 1961 | Madan Mohan |
APNI ULFAT PE ZAMANE KA NA | SASURAL | 1961 | Shanker Jaikishan |
NAINO MEIN KYO AAN BASE DO | WARRANT | 1961 | Roshan |
O SHAMA MUJHE PHOONK DE MAIN NA | AASHIQ | 1962 | Shanker Jaikishan |
MAHTAB TERA CHEHRA KIS KHAWAB | AASHIQ | 1962 | Shanker Jaikishan |
IBTDAYE ISQ MAIN HUM SARI RAAT | HARIYALI AUR RAASTA | 1962 | Shanker Jaikishan |
LAKHO TARE AASMAN MEIN EK MAGAR | HARIYALI AUR RAASTA | 1962 | Shanker Jaikishan |
DOOR BAHUT AABADI SE ISQ KI | JHOOLA | 1962 | Salil Chaudary |
MAINE KAHA AJI MAINE KAHA | MAA BETA | 1962 | Hemant Kumar |
AJI DEKHO JARA TO KYA MOUSAM | MAYA JAAL | 1962 | S.N. Tripathi |
DO ANKHIYAN JHUKI JHUKI SI | PREM PATRA | 1962 | Salil Chaudary |
SAINYA CHHOOD DE BAINYA MERI | RAKHI | 1962 | Ravi Shanker |
HUM TUM YE KHOI KHOI RAAHEN | RUNGOLI | 1962 | Shanker Jaikishan |
MAIN KHUS NASEEB HUN MUJHKO | TOWER HOUSE | 1962 | Ravi Shanker |
TUMHARI MAST NAJAR GAR IDHAR | DIL HI TO HAI | 1963 | Roshan |
AISA NAHI HOON AJI MAIN AISA | MUMMY DADDY | 1963 | Chitragupta |
TUMSE NAZAR KUCHH AISI MILI | MUMMY DADDY | 1963 | Chitragupta |
CHORI CHORI JO TUMSE MILI | PARAS MANI | 1963 | Laxmikant Pyarelal |
TUJHE CHAAND KAHUN YA PHOOL | SUNAHRI NAAGIN | 1963 | Kalyanji Anandji |
JARA SAMBHALNA MERI JAA APNI | AAYA TOOFAN | 1964 | Laxmikant Pyarelal |
JUMME KI RAAT HO YA DIN JUMERAAT | DULHA DULHAN | 1964 | Kalyanji Anandji |
BANE TO BAN JAAYE JAMANA DUSMAN | DULHA DULHAN | 1964 | Kalyanji Anandji |
MUJHE KAHTE HAI KALLU QAWWAL | DULHA DULHAN | 1964 | Kalyanji Anandji |
AA TU AA JARA DIL MEIN AA | PHOOLON KI SEJ | 1964 | Adi Narayan Rao |
O MERE SANAM,O MERE SANAM DO | SANGAM | 1964 | Shanker Jaikishan |
HAR DIL JO PYAR KAREGA VO GANA | SANGAM | 1964 | Shanker Jaikishan |
ZINDAGI KA AJAB FASANA HAI | CHHOTI CHHOTI BAATEN | 1965 | Anil Biswas |
BAHARON THAM LO AB DIL MERA | NAMASTE JI | 1965 | G.S. Kohli |
TUM KAHAN LE CHALE HO SAJAN | POONAM KI RAAT | 1965 | Salil Chaudary |
SAPNO MEIN MERE KOI AAYE JAAYE | POONAM KI RAAT | 1965 | Salil Chaudary |
HUMSAFAR MERE HUMSAFAR PANKH | POORNIMA | 1965 | Kalyanji Anandji |
PYAR KA FASANA BANA LE DIL | TEESARA KAUN | 1965 | R.D. Burman |
HUM JI LENGE BIN TUMHARE | DILLAGI | 1966 | Laxmikant Pyarelal |
KYUN JHUKI JHUKI HAI PALKEN | CHHAILA BABU | 1967 | Laxmikant Pyarelal |
HUM TO TERE AASIQ HAIN SADIYON | FARZ | 1967 | Laxmikant Pyarelal |
BOL GORI BOL TERA KAUN PIYA | MILAN | 1967 | Laxmikant Pyarelal |
SAWAN KA MAHINA PAWAN KARE SHOR | MILAN | 1967 | Laxmikant Pyarelal |
HUM TUM YUG YUG SE YE GEET I | MILAN | 1967 | Laxmikant Pyarelal |
HUM TUM YUG YUG SE YE GEET II | MILAN | 1967 | Laxmikant Pyarelal |
MEHBOOB MERE,MEHBOOB MERE TU HAI | PATTHAR KE SANAM | 1967 | Laxmikant Pyarelal |
DIL SAMBHALE SAMBHALE SAMBHALTA | RAAZ | 1967 | Kalyanji Anandji |
HUM SAFAR AB YE SAFAR KAT | JUARI | 1968 | Kalyanji Anandji |
PHOOL TUMHE BHEJA HAI KHAT MEIN | SARSWATI CHANDRA | 1968 | Kalyanji Anandji |
HAAY BUJHO BUJHO,VO KAUN HAI VO | ANJAANA | 1969 | Laxmikant Pyarelal |
JE HUM TUM CHORI SE BANDHE IK | DHARTI KAHE PUKAR KE | 1969 | Laxmikant Pyarelal |
DALENGE RANG DALENGE APNA | MERA DOST | 1969 | Laxmikant Pyarelal |
DIL MEIN EJI DIL MEIN KOI | MERI BHABHI | 1969 | Laxmikant Pyarelal |
KISI RAAH MEIN KISI MOOD PAR | MERE HUM SAFAR | 1970 | Kalyanji Anandji |
KARLE DIL KI BAAT,KARLE DIL KI | PEHCHAN | 1970 | Shanker Jaikishan |
RUBI O RUBI JANE MAHBUBI | CHAHAT | 1971 | Laxmikant Pyarelal |
MAIN KISE APNA KAHUN,AAJ MERA KOI | EK THI REETA | 1971 | Jaidev |
SURAJ SE JO KIRAN KA NATA | HANGAMA | 1971 | R.D. Burman |
JHOOM KE GAAYE DIL ZINDAGI HUMSE | JAL BIN MACHLI N.B.B. | 1971 | Laxmikant Pyarelal |
BAAT HAI EK BOOND SI DIL KE | JAL BIN MACHLI N.B.B. | 1971 | Laxmikant Pyarelal |
AE MERI AANKHO KE PAHLE (HAPPY) | MAN MANDIR | 1971 | Laxmikant Pyarelal |
AE MERI AANKHO KE PAHLE (SAD) | MAN MANDIR | 1971 | Laxmikant Pyarelal |
TERE HONTHO KE DO PHOOL PYARE | PARAS | 1971 | Kalyanji Anandji |
YE RAAKHI BUNDHAN HAI AISA | BEIMAAN | 1972 | Shanker Jaikishan |
HO NAINA TERE NAINA BAAT BATATE | EK BECHARA | 1972 | Laxmikant Pyarelal |
DO KADAM TUM BHI CHALO DO KADAM | EK HASINA DO DIWANE | 1972 | Kalyanji Anandji |
DHERE DHERE BOL KOI SUN NA LE | GORA AUR KALA | 1972 | Laxmikant Pyarelal |
EK PYAR KA NUGMA HAI | SHOR | 1972 | Laxmikant Pyarelal |
PAANI RE PAANI TERA RANG KAISA | SHOR | 1972 | Laxmikant Pyarelal |
AASMA PE CHANDINI KA EK DARIYA | RAJA RANI | 1973 | R.D. Burman |
HONI TO HO KE RAHE,ANHONI NA HOY | SURAJ AUR CHANDA | 1973 | Laxmikant Pyarelal |
KAHIN KARTI HOGI VO MERA INTZAAR | PHIR KAB MILOGI | 1974 | R.D. Burman |
USNE KAHA TU…MAHNGAI MAAR GAYI | ROTI KAPADA AUR MAKAN | 1974 | Laxmikant Pyarelal |
MAIN NA BHULONGA,MAIN NA BHULONGI | ROTI KAPADA AUR MAKAN | 1974 | Laxmikant Pyarelal |
BAAGON MEIN YE KAISE | CHUPKE CHUPKE | 1975 | S.D. Burman |
YAAD RAHEGA PYAR KA YE RANGEEN | OMAR QAID | 1975 | Sonik Omi |
KAHA AAPKA YAHA…PHOOL AAHISTA | PREM KAHANI | 1975 | Laxmikant Pyarelal |
KARM KIYE JA PHAL KI ICCHHA MAT | SANYASI | 1975 | Shanker Jaikishan |
CHAL SANYASI MANDIR MEIN | SANYASI | 1975 | Shanker Jaikishan |
BALI UMARIYA BHAJAN KARUN KAISE | SANYASI | 1975 | Shanker Jaikishan |
SUN BAAL BRUMHACHARI MAIN HOON | SANYASI | 1975 | Shanker Jaikishan |
KAHI SAAWAN…BHEEGI BHEEGI HAWA | SUNEHRA SANSAR | 1975 | Naushad |
MUJHE DURD RAHTA HAI | DUS NUMBARI | 1976 | Laxmikant Pyarelal |
KABHI KABHIE MERE DIL MEIN | KABHI KABHIE | 1976 | Khaiyyam |
DEKH KE TUMKO DIL DOLA HAI | AMAR AKBAR ANTHONY | 1977 | Laxmikant Pyarelal |
KUCHH AISE BUNDHAN HOTE HAIN | FARISHTA YA QATIL | 1977 | Kalyanji Anandji |
PYAR KA BUNDHAN KHOON KA NATA I | KHEL KHILARI KA | 1977 | Kalyanji Anandji |
YE NA JAANE LAKIN INKI RUG II | KHEL KHILARI KA | 1977 | Kalyanji Anandji |
MAIN TO NAHI JAAUNGI,TUM KITNA | BAHADUR JISKA NAAM | Unreleased | ? |